By Diana Weynand
Up-to-date for ultimate lower seasoned 7 and written for pro video and movie editors who be aware of their approach round Avid nonlinear structures, this publication indicates you the way to translate your abilities to ultimate lower professional speedy and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a entire "translation direction" masking all of the crucial operations, from undertaking set-up and simple enhancing via transitions and results, colour correcting, compositing, titling, and output. you can find special function comparisons, useful conversion guidance, and directions on the way to use ultimate lower professional positive aspects that are not on hand in Media Composer. you will additionally research what is new in ultimate reduce professional 7. full of convenient positive aspects, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complex enhancing and workflow guidance, this publication could have you enhancing with ultimate lower seasoned in checklist time. every one bankruptcy represents a whole lesson in a key element of ultimate reduce seasoned 7 and incorporates a evaluate part and checklist of keyboard shortcuts.Accessible writing variety places a professional teacher at your sideAmple illustrations and keyboard shortcuts assist you grasp thoughts fastChapter assessment sections summarize what you will have discovered
Read Online or Download Apple Pro Training Series Final Cut Pro for Avid Editors PDF
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Additional resources for Apple Pro Training Series Final Cut Pro for Avid Editors
NOTE When a Timeline track is not currently audible or visible, it appears dark. To change track height, click the Track Height control in the Timeline. You can also press Shift-T to toggle the options. ) 19 What You’ve Learned The number of undos in FCP can be changed in the User Preferences window, which you can access via the Final Cut Pro menu. This menu is another example of how you can access several settings using the same key, in this case Q, with one or more modifiers. What You’ve Learned You can open Final Cut Pro by double-clicking its icon in the Finder window, clicking its icon in the Dock, double-clicking an alias on the desktop, or double-clicking an FCP project file.
In addition, each of the four primary FCP interface windows has its own button bar that you can customize with your personal set of command buttons. This is discussed more in Lesson 3. Tool Palette When working within FCP, the default tool is the Selection tool, which is a black arrow. Its shortcut key is the letter A. You use this tool to select clips, transitions, and groups of clips; it’s the tool you will work with most of the time. The FCP Tool palette contains editing, selection, and trim tools, as well as other tools, which are covered in upcoming lessons.
In the Timeline, Control-click a clip in a sequence and choose Item Properties > Logging Info. Control-click in the Label field for the desired track, and choose a color from the shortcut menu. With this approach, you can colorize individual clip tracks. Working with Tools and Audio Meters After a color label is applied to a clip or sequence, that color is displayed in the Viewer or Canvas and Timeline windows, respectively. Clip with color label appears with colored video and audio tabs Sequence with color label appears with colored tab in the Timeline and Canvas Working with Tools and Audio Meters You select Avid tools by using the keyboard, pressing command buttons, or selecting an option from the Fast menu.